Rating: ★★☆☆☆ (2/5)
Director: Vinay Govind
Cast: Unni Mukundan, Nikhila Vimal, Surabhi Lakshmi, Sudheesh, Ganga Meera
Get-Set Baby sets out to explore the emotionally rich world of fertility treatments and societal pressure around parenthood. Unfortunately, what begins as a promising tale quickly devolves into a muddled mix of genres, unable to settle on a tone or message. While it has moments of charm, the film ultimately feels like a missed opportunity.
Narrated with grandeur by Mohanlal, the story opens with a mythical tale of miraculous childbirths — a metaphor for the fertility struggles the main characters face. Arjun Balakrishnan (played by Unni Mukundan) is a celebrated gynaecologist who has risen from obscurity to become a pioneer in IVF treatments.
However, the film spends too much time detailing his professional backstory, stretching the narrative thin before the central conflict even arrives. What could’ve been a tight, emotionally resonant drama turns into a meandering journey weighed down by subplots and scattered focus.
Unni Mukundan delivers an earnest performance but struggles to rise to the emotional highs the script demands. His portrayal of Arjun falters in pivotal scenes, especially when the character’s internal turmoil takes center stage.
Nikhila Vimal, as Arjun’s wife Swathy, turns in a performance that feels functional but unremarkable. In contrast, Surabhi Lakshmi and Sudheesh offer standout performances as a couple seeking fertility help, grounding the film with some much-needed emotional heft.
Vinay Govind attempts to juggle multiple genres—medical drama, family melodrama, romance, and even satire—but struggles to give any of them the depth they deserve. The film touches on vital themes like medical ethics, male ego, and societal pressure, but often only at a surface level.
The turning point of the film, where Arjun confronts a deeply personal fertility issue, had the potential for a powerful emotional punch. Instead, it veers into melodrama, skipping the nuance needed for viewers to truly connect with his downfall and redemption.
Visually, Get-Set Baby is warm and polished, with soft lighting and clean aesthetics. Unfortunately, the background score and music do little to enhance the emotional weight of the film. The few comedic or satirical moments—like the temple visit—offer brief relief but are too infrequent to leave a lasting impact.
The film draws heavy inspiration from titles like Vicky Donor, Doctor G, and Mimi, but fails to carve its own identity in this niche. Despite having a “pregnant” central theme, the screenplay remains largely superficial, missing a golden opportunity to push boundaries and spark conversation.
Get-Set Baby had all the ingredients for a thought-provoking, heartfelt drama about fertility and identity. However, it ends up feeling like a first draft in need of deeper character arcs and a clearer narrative focus. With better writing and a more refined emotional core, this could have been something truly special. Instead, it’s a film that only scratches the surface of its potential.
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