Perusu is a rare breed of Tamil cinema—a comedy-drama that blends humour with an otherwise taboo subject. Directed by Ilango Ram, this film stands out for its bold exploration of death and its quirky portrayal of a family struggling to deal with an embarrassing situation. What starts as a lighthearted farce about a funeral soon delves into deeper emotional territory, proving that even in times of loss, life’s most awkward moments can be turned into laughter.
At the heart of Perusu is the death of Halasyam (Alexis), whose mysterious passing is marked by an embarrassing posthumous condition: the ‘final erection’. His sons, Ameen (Bala Saravanan) and Redin Kingsley, along with relatives like Samikannu (Sunil) and Duraikannu (Vaibhav), must figure out how to keep the unusual death a secret from their prying relatives as they prepare for the funeral. As they seek help from doctors, veterinarians, and even a shaman, the comedy of errors begins to unfold.
Perusu explores a sensitive topic—death and the often-taboo subject of posthumous dignity—with a unique comedic approach. The film’s humour doesn’t just arise from absurd situations, but from the family dynamics and awkwardness that arise when dealing with death. While the comedy could have leaned into slapstick, director Ilango Ram ensures that the deeper themes of loss and familial love come through, especially during poignant moments. The film brings forward the idea that humor can exist alongside tragedy, and sometimes, the simplest solutions lie beneath the most complicated problems.
The performances in Perusu are key to its success. Vaibhav and Sunil shine as the two brothers caught between their father’s death and their family’s eccentricities. Their chemistry brings authenticity to the emotional depth of the story, especially during the crucial scenes where they grapple with their father’s embarrassment while unable to grieve. The film’s supporting cast also delivers stellar performances, especially Bala Saravanan and Deepa Shankar, who provide much-needed humour when the pace lags. Chandini Tamilarasan and Niharika NM are solid, though their characters don’t have much screen time to explore their full potential.
Ilango Ram’s direction is masterful in maintaining a delicate balance between humour and sensitivity. The film doesn’t shy away from addressing awkward family moments but also knows when to dial down the humour to reflect on deeper emotional undercurrents. While the initial half of the film drags a little and gets lost in its own comedic setups, the second half picks up pace, bringing sharp, witty moments alongside touching revelations.
The film’s cinematography captures the chaotic nature of the funeral setting with light-hearted visuals and intense close-ups that highlight both the absurd and emotional moments. Vikas Vasishta’s music adds to the film’s charm, with the score subtly enhancing the more emotional beats without overwhelming the audience.
The awkward doctor and shaman scenes offer laugh-out-loud moments, providing a much-needed break in the tense situation.
The car scene where the brothers share a quiet moment over drinks is one of the film’s most poignant, offering a glimpse into their buried emotions and highlighting the complexity of their relationship.
The penultimate scene, where the family unearths another buried secret, is a masterstroke of comedic timing that drives home the film’s central theme: secrets are rarely as simple as they seem.
⭐ Rating: 3/5
Perusu is a bold and unconventional film that successfully brings humour to a usually sombre subject. While some jokes fall flat and the pacing in the first half could have been better, the heartfelt moments and strong performances make it a worthwhile watch. The film’s unique mix of comedy and sensitivity leaves a lasting impression, reminding us that even in death, there’s room for laughter and understanding.
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