Title: “Court – State vs A Nobody” Review: A Sharp, Stirring Courtroom Drama That Balances Realism and Entertainment

Introduction: A Promising Debut in Telugu Courtroom Cinema

Court – State vs A Nobody marks an impressive debut by director Ram Jagadeesh, delivering a refreshing take on courtroom drama that strikes a balance between socially relevant storytelling and mainstream appeal. With Priyadarshi in the lead role, this film explores themes of justice, ambition, and systemic oppression while maintaining a gripping narrative pace.

Priyadarshi Shines in an Unconventional Hero Role

Known for his comic timing in films like Pelli Choopulu and emotional depth in Balagam, Priyadarshi plays Teja, a soft-spoken, underdog lawyer seeking his big break. His restrained performance adds depth and relatability to a character who transitions from a timid observer to a determined advocate. This understated energy works in the film’s favor, allowing for a powerful second half where Teja comes into his own.

Plot Overview: A Case that Unfolds with Intensity and Humor

The film kicks off with Teja being assigned to defend Chandu (Harsh Roshan), a young man wrongly accused under the POCSO Act. The first half sets up the emotional and narrative stakes, with slow-burn intensity. Once the case reaches the courtroom, the pace picks up dramatically. Smart writing and effective humor—especially through Priyadarshi’s deadpan delivery—keep the proceedings engaging.

Strong Writing & Direction Keep the Tension Alive

Director Ram Jagadeesh, who also co-wrote the film with Karthikeya Srinivas and Vamsidhar Sirigiri, skillfully crafts courtroom sequences that are both tense and humorous. The screenplay uses legal realism to great effect—small details like courtroom etiquette, the monotony of hearings, and the dehumanizing routines of custody give the story its weight.

Standout Supporting Cast Elevates the Drama

• Shivaji as Mangapathi delivers a chilling performance as the antagonist—his manipulative, socially powerful character becomes the face of injustice.

• Sridevi and Harsh Roshan breathe life into Chandu and Jabili’s relationship, filled with realistic charm and emotional nuance.

• Special mentions go to Rohini and Sudhakar, who embody quiet suffering with subtle grace.

Social Commentary Done with Subtle Realism

Rather than hammering in messages, Court uses its setting to offer insightful commentary on caste, privilege, and how the justice system is often misused by the powerful. However, the film stumbles slightly in its final act when it leans into moralizing monologue, risking oversimplification of complex issues around the POCSO Act.

Flaws & Final Thoughts: Powerful but Not Perfect

While the film avoids common courtroom drama clichés, its background score occasionally overwhelms key scenes, and the climactic speech feels preachy and out of sync with the otherwise nuanced narrative. Still, these are minor stumbles in an otherwise compelling film.

Verdict: 3.5/5 ⭐

Court – State vs A Nobody succeeds as a crowd-pleasing courtroom drama that’s anchored in realism, elevated by sharp performances, and directed with vision. Despite a few missteps, this is a promising debut from Ram Jagadeesh and a strong showcase for Priyadarshi’s versatility.